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"You haven't asked me who I am," says the stranger, as though eager to detain her at any cost, still without a smile, and always with his eyes fixed upon her face. It seems as though he positively cannot remove them, so riveted are they. "Yes; it was of them I thought," he says, turning his head away,—"of the—lovers. I wonder if their evening was as lovely as ours?" "It means—the missing will," returns she, in a voice that would have done credit to a priestess of Delphi. As she delivers this oracular sentence, she points almost tragically towards the wall in question..
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kez_ h (Kez_h)
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"Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence. "You are at Mangle Farm," returns she. Then, judging by the blank expression on his face that her words bring him no comfort, she continues with a smile, "That doesn't seem to help you much, does it?" Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of This last remark, being in a degree ungenerous, causes a sensation. A young man, stepping out from the confusion, says, very earnestly,—.
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